Baroque between the Wars: Alternative Style in the Arts, 1918-1939

Jane Stevenson

Research output: Book/ReportBook

Abstract

This book re-examines the arts in the 1920s and 1930s, arguing that rather than being dominated by modernism, the period saw a dialogue between modern baroque—eclectic, playful, and open to influence from popular culture—and modernism, which was theory-driven, didactic, and exclusive, features which suggest that it was essentially a neoclassical movement. Thus the period is characterized by the ancient competition between baroque and classical forms of expression. The author argues that both forms were equally valid responses to the challenge of modernity by setting painting and literature in the context of ‘minor arts’ such as interior design, photography, fashion, ballet, and flower arranging, and by highlighting the social context and sexual politics of creative production. The chapters of the book pursue a set of interconnected themes, focused by turns on artists, artefacts, clients, places, and publicists, in order to test and explore the central idea.
Original languageEnglish
PublisherOxford University Press
Number of pages336
ISBN (Print)9780198808770
DOIs
Publication statusPublished - 11 Jan 2018

Fingerprint

Baroque
Art
Didactic
Artifact
Sexual Politics
Artist
1920s
Modernity
Publicist
Social Context
Ballet
Minor Arts
Fashion Photography
1930s
Flower

Keywords

  • literature
  • modernism
  • homosexuality
  • interior decoration
  • baroque
  • decorative arts
  • design

Cite this

Baroque between the Wars : Alternative Style in the Arts, 1918-1939 . / Stevenson, Jane.

Oxford University Press, 2018. 336 p.

Research output: Book/ReportBook

Stevenson, Jane. / Baroque between the Wars : Alternative Style in the Arts, 1918-1939 . Oxford University Press, 2018. 336 p.
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