Bryzgel on Astahovska and Priede-Krievkalne and eds., 'Valdis Āboliņš: The Avant-Garde, Mailart, the New Left and Cultural Relations during the Cold War'

Research output: Contribution to journalBook/Film/Article review

Abstract

This book tells the unlikely story of a Latvian-born ex-patriot, Valdis Āboliņš (1939-84), exiled to Germany during World War II and remaining there after the war, who only lived to the young age of forty-five and who came to play an important role in the development of the North American/European neo-avant-garde. Reading this monograph dedicated to the figure of Āboliņš, one is overwhelmed by what this Renaissance man managed to accomplish in his short life—the people he knew and brought together, the art he discovered and promoted before anyone else, and his pioneering ideas and approaches to art. Āboliņš is a prime example of the importance of horizontal art history, of remembering that it was not simply the center that affected the development of modern and contemporary art but that those in the so-called peripheries also played a significant role.[1]

Original languageEnglish
JournalH-SHERA
Publication statusPublished - Dec 2019

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Art
Cultural Relations
Avant Garde
Cold War
New Left
Renaissance Man
Patriot
Monographs
Neo-avant-garde
Second World War
Germany
Remembering
Art History

Cite this

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title = "Bryzgel on Astahovska and Priede-Krievkalne and eds., 'Valdis Āboliņš: The Avant-Garde, Mailart, the New Left and Cultural Relations during the Cold War'",
abstract = "This book tells the unlikely story of a Latvian-born ex-patriot, Valdis Āboliņš (1939-84), exiled to Germany during World War II and remaining there after the war, who only lived to the young age of forty-five and who came to play an important role in the development of the North American/European neo-avant-garde. Reading this monograph dedicated to the figure of Āboliņš, one is overwhelmed by what this Renaissance man managed to accomplish in his short life—the people he knew and brought together, the art he discovered and promoted before anyone else, and his pioneering ideas and approaches to art. Āboliņš is a prime example of the importance of horizontal art history, of remembering that it was not simply the center that affected the development of modern and contemporary art but that those in the so-called peripheries also played a significant role.[1]",
author = "Amy Bryzgel",
year = "2019",
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language = "English",
journal = "H-SHERA",

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T1 - Bryzgel on Astahovska and Priede-Krievkalne and eds., 'Valdis Āboliņš: The Avant-Garde, Mailart, the New Left and Cultural Relations during the Cold War'

AU - Bryzgel, Amy

PY - 2019/12

Y1 - 2019/12

N2 - This book tells the unlikely story of a Latvian-born ex-patriot, Valdis Āboliņš (1939-84), exiled to Germany during World War II and remaining there after the war, who only lived to the young age of forty-five and who came to play an important role in the development of the North American/European neo-avant-garde. Reading this monograph dedicated to the figure of Āboliņš, one is overwhelmed by what this Renaissance man managed to accomplish in his short life—the people he knew and brought together, the art he discovered and promoted before anyone else, and his pioneering ideas and approaches to art. Āboliņš is a prime example of the importance of horizontal art history, of remembering that it was not simply the center that affected the development of modern and contemporary art but that those in the so-called peripheries also played a significant role.[1]

AB - This book tells the unlikely story of a Latvian-born ex-patriot, Valdis Āboliņš (1939-84), exiled to Germany during World War II and remaining there after the war, who only lived to the young age of forty-five and who came to play an important role in the development of the North American/European neo-avant-garde. Reading this monograph dedicated to the figure of Āboliņš, one is overwhelmed by what this Renaissance man managed to accomplish in his short life—the people he knew and brought together, the art he discovered and promoted before anyone else, and his pioneering ideas and approaches to art. Āboliņš is a prime example of the importance of horizontal art history, of remembering that it was not simply the center that affected the development of modern and contemporary art but that those in the so-called peripheries also played a significant role.[1]

M3 - Book/Film/Article review

JO - H-SHERA

JF - H-SHERA

ER -