'But I Must Not Accounted Be /One Of That Mumming Company': Joyce, Mangan, and the treacheries of poetic succession

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Abstract

This essay examines the formative influence on the young Joyce of James Clarence Mangan, and his shaping of Joyce’s relationship with the Irish tradition. Mangan’s posthumous promotion as Ireland’s ‘national poet’ invested that writer with the aura of the poète maudit, while implicitly confirming Ireland and Irishness as the limiting horizons of his work. Joyce engages sympathetically with Mangan while signalling his intention to pull away from the nationalist tradition he represents. In his poetry, Joyce does this most memorably in verse satires such as ‘Gas from a Burner’ and ‘The Holy Office’. I consider the relationship of the satirical poems to the lyrics of Chamber Music and Pomes Penyeach, and the thematic centrality (shared with Mangan) of betrayal and succession. The essay ends with a brief consideration of the influence of Joycean poetics on contemporary writers, from Thomas Kinsella to Justin Quinn.
Original languageEnglish
Pages (from-to)1-19
Number of pages19
JournalDublin James Joyce Journal
Issue number6/7
DOIs
Publication statusPublished - 2014

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Poetics
Writer
Ireland
Aura
Poetry
Holy Office
Gas
Centrality
Thematic
Lyrics
Betrayal
Chamber music
Poem
Irishness
Intentions
Poet
Nationalists
Verse
Satire

Cite this

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abstract = "This essay examines the formative influence on the young Joyce of James Clarence Mangan, and his shaping of Joyce’s relationship with the Irish tradition. Mangan’s posthumous promotion as Ireland’s ‘national poet’ invested that writer with the aura of the po{\`e}te maudit, while implicitly confirming Ireland and Irishness as the limiting horizons of his work. Joyce engages sympathetically with Mangan while signalling his intention to pull away from the nationalist tradition he represents. In his poetry, Joyce does this most memorably in verse satires such as ‘Gas from a Burner’ and ‘The Holy Office’. I consider the relationship of the satirical poems to the lyrics of Chamber Music and Pomes Penyeach, and the thematic centrality (shared with Mangan) of betrayal and succession. The essay ends with a brief consideration of the influence of Joycean poetics on contemporary writers, from Thomas Kinsella to Justin Quinn.",
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