Cinema and Contact: The Withdrawal of Touch in Nancy, Bresson, Duras and Denis

Laura McMahon

Research output: Book/ReportBook

Abstract

Drawing on the work of contemporary French philosopher Jean-Luc Nancy, Cinema and Contact investigates the aesthe­tics and politics of touch in the cinema of three of the most prominent and distinctive filmmakers to have emerged in France during the last fifty years: Robert Bresson, Marguerite Duras and Claire Denis. Countering the domi­nant critical account of touch elaborated by recent models of embodied spectatorship, this book argues that cinema offers a privileged space for understanding touch in terms of spacing and withdrawal rather than immediacy and continuity. Such a deconstructive configuration of touch is shown here to have far-reaching implications, inviting an innovative rethinking of politics, aesthetics and theology via the textures of cinema.

The first study to bring the thought of Nancy into sustained dialogue with a series of detailed analyses of films, Cinema and Contact also forges new interpretative perspectives on Bresson, Duras and Denis, tracing a compelling two-way exchange between cinema and philosophy.

Laura McMahon is a Lecturer in Film and Visual Culture at the University of Aberdeen.
Original languageEnglish
Place of PublicationOxford, UK
PublisherLegenda
Number of pages188
ISBN (Print)9781907975035
Publication statusPublished - 1 Jun 2012

Publication series

NameMoving Image
PublisherLegenda
Volume2

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