Dabbling Among the Unhallowed Relics of the Grave': Waking the Dead in Scott's Castle Dangerous and Count Robert of Paris

Alison Lumsden* (Corresponding Author)

*Corresponding author for this work

Research output: Contribution to journalArticle

Abstract

This article considers Scott’s late fiction by examining its treatment of the body and in particular the ways in which it challenges a Cartesian split between mind and body. More specifically, it explores the ways in which broken and fragmented bodies are presented in Castle Dangerous and Count Robert of Paris, Scott’s last two novels. It also examines the ways in which Scott explores issues of bodily and gender performance in these texts and interrogates these acts via the theories of Judith Butler. It relates these “bodily” challenges to essentialist ideas of identity and binary notions of gender to a more widespread resistance to closure and epistemological certainty in Scott’s work, thus arguing that rather than embodying the last works of an author approaching death, these texts offer a resistance to death through their disruption of bodily stability. This article builds on the editorial reconstruction of these late fictions by the Edinburgh Edition of the Waverley Novels and on some recent re-evaluations of these particular texts. By doing so it seeks to suggest one of the many ways in which Scott’s fiction has been “re-awakened” by recent scholarship.
Original languageEnglish
Pages (from-to)129-149
Number of pages21
JournalThe Wenshan Review of Literature and Culture
Volume13
Issue number1
DOIs
Publication statusPublished - 31 Dec 2019

Fingerprint

Fiction
Relics
Novel
Split
Cartesian
Waverley
Evaluation
Edinburgh
Essentialist
Closure
Epistemological
Judith Butler
Certainty
Gender Performance
Disruption

Keywords

  • Walter Scott
  • Count Robert of Paris
  • Castle Dangerous
  • abject bodies
  • Judith Butler
  • gender

Cite this

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