Abstract
Conference panels allow for free-flowing conversation with panellists and the audience. They lead to insights that come through
thinking together with people that can bring complementary
knowledge to the discussion. Yet these exchanges can also be
ephemeral with ideas evaporating as we engage with the next
paper or panel discussion. We address this in a search for a last
contribution to debates in this write up of a panel on women and
cinema, for the conference ‘Women and Cinema in Ibero-America:
Politics, Histories, Representations, Intersectionality’, at the
Universidad Carlos III de Madrid in September 2022. We agreed that the topics and the discussion at our panel were of broad interest and provide food for thought for academics wanting to adopt a decolonial feminist approach. Topics that we discussed included, how to approach archival research in women’s film and video, and how to ‘depatriarchalise’ the archives, and democratise access to them, as fundamental to offering a feminist perspective in archival research; how to challenge a Western androcentric paradigm and auteurist perspectives that too often erase women’s contribution to film cultures; and, how to challenge epistemological barriers that deny women creators voices. In addition, the panel presented a first-hand perspective of eurocentrism and the experience of European academia for a researcher from Brazil and discuss how a decolonial feminist film curator/programmer can be a gateopener rather than a gate-keeper.
thinking together with people that can bring complementary
knowledge to the discussion. Yet these exchanges can also be
ephemeral with ideas evaporating as we engage with the next
paper or panel discussion. We address this in a search for a last
contribution to debates in this write up of a panel on women and
cinema, for the conference ‘Women and Cinema in Ibero-America:
Politics, Histories, Representations, Intersectionality’, at the
Universidad Carlos III de Madrid in September 2022. We agreed that the topics and the discussion at our panel were of broad interest and provide food for thought for academics wanting to adopt a decolonial feminist approach. Topics that we discussed included, how to approach archival research in women’s film and video, and how to ‘depatriarchalise’ the archives, and democratise access to them, as fundamental to offering a feminist perspective in archival research; how to challenge a Western androcentric paradigm and auteurist perspectives that too often erase women’s contribution to film cultures; and, how to challenge epistemological barriers that deny women creators voices. In addition, the panel presented a first-hand perspective of eurocentrism and the experience of European academia for a researcher from Brazil and discuss how a decolonial feminist film curator/programmer can be a gateopener rather than a gate-keeper.
Original language | English |
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Number of pages | 10 |
Journal | Transnational Screens |
Early online date | 20 Feb 2023 |
DOIs | |
Publication status | E-pub ahead of print - 20 Feb 2023 |
Keywords
- Latin American women’s filmmaking
- archival research
- Decolonial feminist film