Freedom to Engage

Participatory Art in Central and Eastern Europe

Amy Bryzgel (Corresponding Author)

Research output: Contribution to journalArticle

Abstract

In this article, I explore two case-studies, from Central and Eastern Europe, of artists using participatory art practices in the 1960s and 1970s to open up a free space for interaction to gain greater contact with their viewers, as a mode of survival in an otherwise heavily policed and surveilled environment. In this context that type of contact and interaction would have otherwise been impossible, outside of the realm of art. In Czechoslovakia, participatory art enabled contact with the passerby that would have been challenging in the political climate of the 1960s and 1970s, while in Yugoslavia, these activities rehearsed the policy of self-management promoted by Tito’s government, to counteract the hegemony of art institutions in relation to experimental art. I provide a comparative study of artists in both contexts, and the methods they used to interact with a wider public, in order to highlight the different socio-political contexts across the region, usually viewed as uniform in its implementation of state-sponsored socialism. I also use this approach to underscore the different strategies of participatory art and its varied meanings. As a result of the different socio-historical and socio-political circumstances that artists in Eastern Europe encountered, they developed their own forms of participatory art, in a region where participation had a very real power in offering individuals an albeit fleeting agency and release from the surveillance and restrictions that were part of everyday existence under communist rule.
Original languageEnglish
Pages (from-to)180-196
Number of pages17
JournalContemporary Theatre Review
Volume29
Issue number2
Early online date5 Aug 2019
DOIs
Publication statusPublished - 2019

Fingerprint

Eastern Europe
Central Europe
Art
Artist
Interaction
1960s
1970s
Participation
Surveillance
Viewer
Hegemony
Political Climate
Comparative Study
Czechoslovakia
Self-management
Government
Yugoslavia
Socialism
Communist

Keywords

  • Participatory art
  • socially engaged art
  • Central and Eastern Europe performance art

ASJC Scopus subject areas

  • Visual Arts and Performing Arts

Cite this

Freedom to Engage : Participatory Art in Central and Eastern Europe. / Bryzgel, Amy (Corresponding Author).

In: Contemporary Theatre Review, Vol. 29, No. 2, 2019, p. 180-196.

Research output: Contribution to journalArticle

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