H.D.’s Tapestry

Embroidery, William Morris and The Sword Went Out to Sea

Research output: Contribution to journalArticle

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Abstract

This article focuses on the role of embroidery in H.D.’s life and work in the 1940s. Bringing the tropes of tapestry, writing and spiritualism together gave H.D. a means to explore possibilities for both personal and social healing following the trauma of the war years and to express her hopes for a world without war. Moreover, H.D. used tapestry as a metaphor that allowed her to explore her affiliation to nineteenth-century poets, particularly William Morris, while also enabling the development of her modernist style to a more extreme dynamic of rupture and connection. The article situates H.D.’s embroidery in the context of wider discourses on women’s amateur textile craft and Morris’s work in textiles and literature before considering H.D.’s use of tapestry as a creative practice and metaphor in her late novel The Sword Went Out to Sea.
Original languageEnglish
Pages (from-to)226-248
Number of pages23
JournalModernist Cultures
Volume12
Issue number2
Early online date1 Jun 2017
DOIs
Publication statusPublished - 1 Jul 2017

Fingerprint

Tapestry
Embroidery
William Morris
Sword
Amateur
Trauma
Modernist Style
1940s
Tropes
Rupture
Discourse
Poet
Healing
Spiritualism

Keywords

  • H.D.
  • William Morris
  • tapestry
  • embroidery
  • feminist modernism
  • women's writing

Cite this

H.D.’s Tapestry : Embroidery, William Morris and The Sword Went Out to Sea. / Anderson, Elizabeth.

In: Modernist Cultures, Vol. 12, No. 2, 01.07.2017, p. 226-248.

Research output: Contribution to journalArticle

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