La Carte et le territoire: Mapping, Photography and the Visualization of Contemporary France

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Abstract

Drawing on recent work by novelist Michel Houellebecq and photographer Raymond Depardon, this article examines the relationship between visual culture, spatial change and modernization in contemporary France. Investigating how Houellebecq foregrounds the visual representation of space in his novel La Carte et le territoire (2010), the article goes on to align the questions it raises with the six-year photographic tour of France undertaken by Raymond Depardon during the first decade of the twenty-first century. It considers Depardon's portrait of contemporary France in the context of his previous engagement with spatial change and state-led planning as part of the Mission photographique de la DATAR of the 1980s. It explores the vision of spatial layering and heterogeneity which emerges from the project, and discusses how it reasserts the importance of photography for capturing and articulating territorial identity and spatial change.
Original languageEnglish
Pages (from-to)186-200
Number of pages14
JournalNottingham French Studies
Volume53
Issue number2
DOIs
Publication statusPublished - Jul 2014

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photography
visualization
France
state planning
photographer
twenty-first century
modernization
Contemporary France
Visualization
Photography
Raymond Depardon

Keywords

  • DATAR
  • Raymond Depardon
  • France
  • Michel Houellebecq
  • photography
  • space

Cite this

La Carte et le territoire : Mapping, Photography and the Visualization of Contemporary France. / Welch, Edward.

In: Nottingham French Studies, Vol. 53, No. 2, 07.2014, p. 186-200.

Research output: Contribution to journalArticle

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