This project will investigate the ways in which historic artefacts are tools for contemplating the past, for remembering collective practices of ethnic identity, and for contributing to cultural revitalization processes, particularly in areas that have experienced political and ceremonial suppression. The regional focus is the Sakha Republic (Yakutiia), Russian Federation, and the centrepiece of the project is a unique mammoth ivory model of ysyakh, the summer festival of the Sakha (Yakut) people, which has been in the collection of project partner, the British Museum (BM), since 1867. During the Soviet era, many Sakha cultural expressions, including ysyakh, were suppressed. Since the 1990s, and the collapse of the Soviet Union, cultural revitalization and attempts to establish political autonomy have generated considerable interest in these expressions and in the intersection of their historic and contemporary forms. Accessing Sakha historic artefacts, now scattered in museums worldwide, is key to these processes. While considerable work has been done in North America to link museum collections with descendent communities, there is virtually no scholarship regarding such projects in Russia. This project will thus be a model for developing inter-cultural relations between museums in the Russian Federation and beyond, and will contribute to better understanding cultural movements in post-Soviet states more broadly.
|Number of pages||3|
|Publication status||Published - 2015|
- Narrative Objects
- Sakha Summer Festival
- Cultural revitalization