It has been argued that a contemporary penchant for wildlife images serves to cloak the various destructive impacts human actions have on nonhuman animals, as well as to distract us from our ever-decreasing direct encounters with them. However, this form of media has also demonstrated its effectiveness as a method for communicating conservation messages to the wider public. This paper seeks to examine this tension through an analysis of a famous reunion clip from the documentary Christian the Lion (1971), exploring how audiences have reacted to this clip through a selection of YouTube comments and asking what these comments can tell us about contemporary ideas relating to human/animal inter-subjectivity.
|Number of pages||12|
|Journal||Society & Animals|
|Early online date||1 Dec 2016|
|Publication status||Published - 1 Dec 2016|
- wildlife images