Abstract
This article stems from a broader research project that explored the aesthetics of Magnetic Resonance Imaging (MRI). Here the author focuses on her first-hand experience of undergoing an MRI as an experimental subject within two different laboratory projects. The self-produced video created after the two examinations, 265 Looping Snapshots, muses on the role played by MRI sound and images, the notion of surveillance and the experience of undergoing a scan. The video attempts to resist the reading of MRI as a ‘vision machine’ for surveillance purposes. Far from being a mere representation of an inner condition unavailable to the senses, MRI images slowly become more abstract, a pulsating, rhythmical light from which other forms can emerge.
Original language | English |
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Pages (from-to) | 127-131 |
Number of pages | 5 |
Journal | Leonardo |
Volume | 50 |
Issue number | 2 |
Early online date | 6 Apr 2017 |
DOIs | |
Publication status | Published - Apr 2017 |
Keywords
- biomedical imaging
- video art
- art and science
- MRI