Scratch and mix: sampling the human voice in the metaphorical phonograph

Miriama Young

Research output: Contribution to journalArticle

2 Citations (Scopus)

Abstract

This paper elucidates the practice by which composers and DJs use the turntable to ‘scratch and mix’ samples of recorded female voices, thereby reframing them into new contextual forms. The paper focuses on two pieces: ‘Got ‘Til It's Gone’, a pop song by Janet Jackson and Q-Tip which samples and manipulates a fragment of Joni Mitchell's ‘Big Yellow Taxi’; and Christian Marclay's turntable scratching on the voice of the late Maria Callas. The discussion is interpolated with a reading of Jean-Paul Sartre's novel La Nausée, for his literary embodiment of the recorded voice.
Original languageEnglish
Pages (from-to)337–345
Number of pages9
JournalContemporary Music Review
Volume29
Issue number3
DOIs
Publication statusPublished - Jun 2010

Fingerprint

Sampling
Phonograph
Pop Songs
Joni Mitchell
Reframing
Composer
Christian Marclay
Embodiment
Jean-Paul Sartre
Contextual
Maria Callas

Keywords

  • voice
  • technology
  • Marclay
  • Callas
  • electronic
  • Sartre
  • Editor's Choice

Cite this

Scratch and mix : sampling the human voice in the metaphorical phonograph. / Young, Miriama.

In: Contemporary Music Review, Vol. 29, No. 3, 06.2010, p. 337–345.

Research output: Contribution to journalArticle

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