The Concert Hall as a Gender-Neutral Space: The Case of Amalie Joachim, nee Schneeweiss Beatrix Borchard, Translated by Jeremy Coleman

Jeremy Coleman, Beatrix Borchard

Research output: Chapter in Book/Report/Conference proceeding › Chapter

Original language	English
Title of host publication	German Song Onstage
Subtitle of host publication	Lieder Performance in the Nineteenth and Early Twentieth Centuries
Editors	Natasha Loges, Laura Tunbridge
Publisher	Indiana University Press
Chapter	6
Pages	132-153
ISBN (Electronic)	9780253047021
ISBN (Print)	9780253047007, 9780253047014
Publication status	Published - 5 May 2020

Cite this

The Concert Hall as a Gender-Neutral Space: The Case of Amalie Joachim, nee Schneeweiss Beatrix Borchard, Translated by Jeremy Coleman . / Coleman, Jeremy; Borchard, Beatrix.
German Song Onstage: Lieder Performance in the Nineteenth and Early Twentieth Centuries. ed. / Natasha Loges; Laura Tunbridge. Indiana University Press, 2020. p. 132-153.

Research output: Chapter in Book/Report/Conference proceeding › Chapter

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