The Effects of Humming and Pitch on Craniofacial and Craniocervical Morphology Measured Using MRI

Nicola Anne Miller, Jenny Gregory, Scott Semple, Richard Malcolm Aspden, Pete Stollery, Fiona Jane Gilbert

Research output: Contribution to journalArticle

12 Citations (Scopus)
2 Downloads (Pure)

Abstract

Summary
Objectives/Hypothesis
Traditional voice research occurs within a phonetic context. Accordingly, pitch-related contributions are inseparable from those due to articulator input. In humming, articulator input is negligible. Using magnetic resonance imaging, we test the hypothesis that voice production is accompanied by pitch-related adjustments unrelated to articulatory or postural input.

Study Design/Method
In this cross-sectional study, 10 healthy volunteers (five men, five women, aged 20–47 years, median 25 years), including singers (6 months to 10 years tuition, median 2 years) and non-singers, were assessed to establish the lowest and highest notes they could comfortably sustain while humming over 20 seconds. With head position stable, midsagittal images were acquired while volunteers hummed these predetermined low and high notes. Twenty-two craniocervical, angular, and linear dimensions defined on these images were compared using one-way repeated-measures analysis of variance. Correlations between variables were sought using Pearson correlation coefficient.

Results
We found significant differences between low- and high-note conditions in six of 22 measures and widespread pitch-related correlations between variables (r=0.63, P<0.05). Compared with low-note humming, high-note humming was accompanied by increased craniocervical angles opt/nsl and cvt/nsl (P=0.008 and 0.002, respectively); widening of the C3-menton distance (P=0.003), a rise of the larynx and hyoid in relation to the cranial base (P=0.012 and <0.001, respectively), and an increased sternum-hyoid distance (P<0.001).

Conclusion
Voice production is accompanied by pitch-related adjustments that are currently being masked by, or mistakenly attributed to, articulatory or postural input, identification of which could improve understanding of mechanisms underlying speech and song.
Original languageEnglish
Pages (from-to)90-101
Number of pages12
JournalJournal of Voice
Volume26
Issue number1
Early online date24 Mar 2011
DOIs
Publication statusPublished - Jan 2012

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Dental Articulators
Singing
Sternum
Phonetics
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Music
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Volunteers
Analysis of Variance
Healthy Volunteers
Cross-Sectional Studies
Head
Magnetic Resonance Imaging
Research
6H,8H-3,4-dihydropyrimido(4,5-c)(1,2)oxazin-7-one

Keywords

  • Humming
  • MRI
  • Pitch
  • Craniofacial
  • Craniocervical
  • Morphology
  • Vocal tract

Cite this

The Effects of Humming and Pitch on Craniofacial and Craniocervical Morphology Measured Using MRI. / Miller, Nicola Anne; Gregory, Jenny; Semple, Scott; Aspden, Richard Malcolm; Stollery, Pete; Gilbert, Fiona Jane.

In: Journal of Voice, Vol. 26, No. 1, 01.2012, p. 90-101.

Research output: Contribution to journalArticle

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abstract = "Summary Objectives/HypothesisTraditional voice research occurs within a phonetic context. Accordingly, pitch-related contributions are inseparable from those due to articulator input. In humming, articulator input is negligible. Using magnetic resonance imaging, we test the hypothesis that voice production is accompanied by pitch-related adjustments unrelated to articulatory or postural input.Study Design/MethodIn this cross-sectional study, 10 healthy volunteers (five men, five women, aged 20–47 years, median 25 years), including singers (6 months to 10 years tuition, median 2 years) and non-singers, were assessed to establish the lowest and highest notes they could comfortably sustain while humming over 20 seconds. With head position stable, midsagittal images were acquired while volunteers hummed these predetermined low and high notes. Twenty-two craniocervical, angular, and linear dimensions defined on these images were compared using one-way repeated-measures analysis of variance. Correlations between variables were sought using Pearson correlation coefficient.ResultsWe found significant differences between low- and high-note conditions in six of 22 measures and widespread pitch-related correlations between variables (r=0.63, P<0.05). Compared with low-note humming, high-note humming was accompanied by increased craniocervical angles opt/nsl and cvt/nsl (P=0.008 and 0.002, respectively); widening of the C3-menton distance (P=0.003), a rise of the larynx and hyoid in relation to the cranial base (P=0.012 and <0.001, respectively), and an increased sternum-hyoid distance (P<0.001).ConclusionVoice production is accompanied by pitch-related adjustments that are currently being masked by, or mistakenly attributed to, articulatory or postural input, identification of which could improve understanding of mechanisms underlying speech and song.",
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N2 - Summary Objectives/HypothesisTraditional voice research occurs within a phonetic context. Accordingly, pitch-related contributions are inseparable from those due to articulator input. In humming, articulator input is negligible. Using magnetic resonance imaging, we test the hypothesis that voice production is accompanied by pitch-related adjustments unrelated to articulatory or postural input.Study Design/MethodIn this cross-sectional study, 10 healthy volunteers (five men, five women, aged 20–47 years, median 25 years), including singers (6 months to 10 years tuition, median 2 years) and non-singers, were assessed to establish the lowest and highest notes they could comfortably sustain while humming over 20 seconds. With head position stable, midsagittal images were acquired while volunteers hummed these predetermined low and high notes. Twenty-two craniocervical, angular, and linear dimensions defined on these images were compared using one-way repeated-measures analysis of variance. Correlations between variables were sought using Pearson correlation coefficient.ResultsWe found significant differences between low- and high-note conditions in six of 22 measures and widespread pitch-related correlations between variables (r=0.63, P<0.05). Compared with low-note humming, high-note humming was accompanied by increased craniocervical angles opt/nsl and cvt/nsl (P=0.008 and 0.002, respectively); widening of the C3-menton distance (P=0.003), a rise of the larynx and hyoid in relation to the cranial base (P=0.012 and <0.001, respectively), and an increased sternum-hyoid distance (P<0.001).ConclusionVoice production is accompanied by pitch-related adjustments that are currently being masked by, or mistakenly attributed to, articulatory or postural input, identification of which could improve understanding of mechanisms underlying speech and song.

AB - Summary Objectives/HypothesisTraditional voice research occurs within a phonetic context. Accordingly, pitch-related contributions are inseparable from those due to articulator input. In humming, articulator input is negligible. Using magnetic resonance imaging, we test the hypothesis that voice production is accompanied by pitch-related adjustments unrelated to articulatory or postural input.Study Design/MethodIn this cross-sectional study, 10 healthy volunteers (five men, five women, aged 20–47 years, median 25 years), including singers (6 months to 10 years tuition, median 2 years) and non-singers, were assessed to establish the lowest and highest notes they could comfortably sustain while humming over 20 seconds. With head position stable, midsagittal images were acquired while volunteers hummed these predetermined low and high notes. Twenty-two craniocervical, angular, and linear dimensions defined on these images were compared using one-way repeated-measures analysis of variance. Correlations between variables were sought using Pearson correlation coefficient.ResultsWe found significant differences between low- and high-note conditions in six of 22 measures and widespread pitch-related correlations between variables (r=0.63, P<0.05). Compared with low-note humming, high-note humming was accompanied by increased craniocervical angles opt/nsl and cvt/nsl (P=0.008 and 0.002, respectively); widening of the C3-menton distance (P=0.003), a rise of the larynx and hyoid in relation to the cranial base (P=0.012 and <0.001, respectively), and an increased sternum-hyoid distance (P<0.001).ConclusionVoice production is accompanied by pitch-related adjustments that are currently being masked by, or mistakenly attributed to, articulatory or postural input, identification of which could improve understanding of mechanisms underlying speech and song.

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KW - Craniocervical

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KW - Vocal tract

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