The Fiddlers of James Bay

Transatlantic Flows and Musical Indigenization among the James Bay Cree

Research output: Contribution to journalArticle

Abstract

Fiddle music and dancing have formed a major component of the social lives of the Algonquian First Nations Cree population living in the James Bay region of Ontario and Québec since the instrument and its associated repertoire were introduced to the region by British (and most notably Scottish) employees of the Hudson’s Bay Company (HBC) who travelled across the Atlantic on ships from the late 17th to the 20th century. Based on archival research and ongoing fieldwork in the region since 2011, this article aims to explore this transatlantic musical migration from the British Isles to James Bay and the re-shaping and re-formation of Scottish fiddle music and dance through indigenization into the Cree cultural milieu. By examining this area of cultural flow, the article seeks to engage with current themes in ethnomusicology on the subject and add to the growing body of knowledge surrounding them.
Original languageEnglish
Pages (from-to)57-99
Number of pages43
JournalMUSICultures
Volume40
Issue number1
Publication statusPublished - 2013

Fingerprint

Transatlantic
Indigenization
Cree
Fiddle
Music
Ethnomusicology
British Isles
Ship
Dancing
First Nations
Milieu
Dance
Social Life
Ontario
Repertoire
Archival Research
Field Work
Employees

Keywords

  • fiddle
  • transatlantic
  • music
  • cree
  • james bay
  • Canada
  • Scotland

ASJC Scopus subject areas

  • Music

Cite this

The Fiddlers of James Bay : Transatlantic Flows and Musical Indigenization among the James Bay Cree. / Wilkins, Frances.

In: MUSICultures, Vol. 40, No. 1, 2013, p. 57-99.

Research output: Contribution to journalArticle

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