The Renaissance Footprint: The Material Trace in Print Culture from Durer to Spenser

Research output: Contribution to journalArticle

1 Citation (Scopus)

Abstract

This article argues that Renaissance print culture appropriated the cultural meanings of the footprint. The potent analogy between the printing press and printing foot informed Reformation debates over Christ’s footprints as objects of devotion and subjects of representation. In sixteenth-century England a model for investigative reading informed by Erasmian humanism was developed in the print projects of George Gascoigne and Edmund Spenser. Experimentation with effects of the press and the material environment of the page culminated in extensive play upon the material and metaphorical sign of the printing foot in Spenser’s “Amoretti.”
Original languageEnglish
Pages (from-to)478-529
Number of pages52
JournalRenaissance Quarterly
Volume71
Issue number2
DOIs
Publication statusPublished - 31 Jul 2018

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Albrecht Dürer
Print Culture
Reformation
Desiderius Erasmus
Devotion
Humanism
England
Edmund Spenser
Christ
Experimentation

Cite this

The Renaissance Footprint : The Material Trace in Print Culture from Durer to Spenser. / Gordon, Andrew D. H.

In: Renaissance Quarterly , Vol. 71, No. 2, 31.07.2018, p. 478-529.

Research output: Contribution to journalArticle

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