For Brendan Breathnach, traditional Irish music was ‘essentially the art of solo performance – a gift – to which the musician or singer devotes an apprenticeship of learning’. The term ‘apprenticeship’ is apt.
|Title of host publication||Ón gCos go Cluas|
|Subtitle of host publication||From Dancing to Listening|
|Editors||Liz Doherty, Fintan Vallely|
|Publisher||Aberdeen University Press|
|Number of pages||5|
|Publication status||Published - 2019|
|Event||North Atlantic Fiddle Convention Conference - Northern Ireland, Derry/Londonderry, United Kingdom|
Duration: 27 Jun 2012 → 1 Jul 2012
|Name||Fiddle and Dance Studies from around the North Atlantic 5|
|Conference||North Atlantic Fiddle Convention Conference|
|Period||27/06/12 → 1/07/12|
Kerr, S. (2019). Traditional style: the student singer and the folk industry. In L. Doherty, & F. Vallely (Eds.), Ón gCos go Cluas: From Dancing to Listening (pp. 136-140). (Fiddle and Dance Studies from around the North Atlantic 5). Aberdeen University Press.