Research Output 1994 2019

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Chapter (peer-reviewed)
2018

Cockney Masquerades: Tom and Jerry and Don Giovanni in 1820s London

Hicks, J. E., 2018, Operatic Geographies: The Place of Opera and the Opera House. Aspden, S. (ed.). Chicago: University of Chicago Press, p. 74-87 14 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

The Melodramatic Moment

Hicks, J. E. & Hambridge, K., 1 Jul 2018, The Melodramatic Moment: Music and Theatrical Culture, 1790-1820. Hambridge, K. & Hicks, J. (eds.). Chicago: University of Chicago Press, p. 1-24 24 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

2017

Erik Satie and the Subject(s) of Mobility

Hicks, J., 17 Nov 2017, Music, Modern Culture and the Critical Ear. Attfield, N. & Winters, B. (eds.). Oxon: Routledge, p. 75-90

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Erik Satie
Music
Hypnosis
Traffic
Automobile
2016

A Score neither begins nor ends: Reflections on the Boulezian ‘work in progress’

Campbell, E. (Translator) & Piencikowski, R., 13 Oct 2016, Pierre Boulez Studies. Campbell, E. & O'Hagan, P. (eds.). Cambridge: Cambridge Univ. Press., p. 93-107 15 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Forget About Walter Scott: The Vision of the Bard in 1832

Hicks, J. E., 2016, Staging History, 1780-1840. Burden, M., Heller, W., Hicks, J. & Lockhart, E. (eds.). Oxford: Bodleian Library, p. 58-77 20 p.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

2015

Re-thinking Boulez: Schemes, Logics and Paradigms of Musical Modernity

Campbell, E., 31 Dec 2015, Transformations of Musical Modernism. Guldbrandsen, E. E. & Johnson, J. (eds.). Cambridge: Cambridge University Press

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)