Opera scholars have had something of a bounty in recent years. Opera in a Multicultural World: Coloniality, Culture, Performance follows in a line of collected volumes that have sought to diversify the field through critical focuses on race, identity, colonialism, and gender, including Opera Indigene: Re/presenting First Nations and Indigenous Cultures (2011, edited by Pamela Karantonis and Dylan Robinson), Blackness in Opera (2012, edited by Naomi André, Karen Bryan, and Eric Saylor), and Masculinity in Opera (2013, edited by Philip Purvis).
- opera- social aspects
- music- effect of multiculturalism on
- music and race