Abstract
Launched in 2014, the aim of the Funeralscapes project is to explore the interplay between landscape, music and emotion by conducting re-enactment fieldwork at pre-modern burial sites in Scotland. In 2014 re-creations of aspects of a Viking funeral at an archaeologically attested Viking burial site was conducted with adult and primary school aged community volunteers on the Isle of Eigg. The aim was to investigate how Viking Age funeral music and movement (such as processions) could have worked in their immediate environment, and what emotional responses the modern-day participants had to the landscape and music. Following a brief outline of the site and performance choices, this paper draws upon fieldwork and interviews conducted with the participants following the re-enactments. It particularly comments upon the dramatic performance of heritage as a method through which the past is taught and remembered.
Original language | English |
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Pages (from-to) | 121-131 |
Number of pages | 11 |
Journal | Northern Scotland |
Volume | 10 |
Issue number | 2 |
Early online date | 19 Nov 2019 |
DOIs | |
Publication status | Published - Nov 2019 |
Keywords
- Hebrides
- re-enactment
- skaldic poetry
- Viking age funerals
- Viking age music
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Frances Wilkins
- School of Language, Literature, Music & Visual Culture, Elphinstone Institute - Senior Lecturer
- WORD Centre for Creative Writing
Person: Academic