Abstract
Fiddling and dancing are inextricably entwined. Just as fiddle music moves the body of the dancer, the act of fiddling moves the body of the fiddler in its own dance. The performer executes complex movements in the manipulation of the bow, of the fingers, and of the entire body to release the voice of the instrument. I experience fiddling as part of the practice of
haptic art, that of aesthetic touch. In this, the corporeal experience is as much a part of the music making as the aural result. FiddleLights is a new media visual art project in which
I record the gestures of the bow, presenting a kinetic ‘drawing’ of the actual movements which create the bowed sound on the fiddle
haptic art, that of aesthetic touch. In this, the corporeal experience is as much a part of the music making as the aural result. FiddleLights is a new media visual art project in which
I record the gestures of the bow, presenting a kinetic ‘drawing’ of the actual movements which create the bowed sound on the fiddle
Original language | English |
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Title of host publication | Ón gCos go Cluas |
Subtitle of host publication | From Dancing to Listening |
Editors | Liz Doherty, Fintan Vallely |
Publisher | Aberdeen University Press |
Chapter | 29 |
Pages | 247-257 |
Number of pages | 11 |
ISBN (Print) | 978-1-85752-073-6 |
Publication status | Published - 2019 |
Event | North Atlantic Fiddle Convention Conference - Northern Ireland, Derry/Londonderry, United Kingdom Duration: 27 Jun 2012 → 1 Jul 2012 |
Publication series
Name | Fiddle and Dance Studies from around the North Atlantic 5 |
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Conference
Conference | North Atlantic Fiddle Convention Conference |
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Country/Territory | United Kingdom |
City | Derry/Londonderry |
Period | 27/06/12 → 1/07/12 |