Willie Mathieson and the Primary Audience for Traditional Song

Research output: Contribution to journalArticle

1 Citation (Scopus)

Abstract

Focusing on the song notebooks of William Mathieson (1879–1958), a farmworker in North-East Scotland, this essay examines the role of tradition in one man’s life, proposing that people learn, preserve, and perform folklore largely for themselves. Mathieson’s material is preserved as handwritten and typed texts, along with cylinder and tape recordings, made across more than half a century by three collectors: James Madison Carpenter, Hamish Henderson and, crucially, Mathieson himself. I suggest that this depth of evidence can be used in future to elucidate the essential nature of specific examples, but most importantly, I show that the primary audience for tradition is the individual.
Original languageEnglish
Pages (from-to)36-59
Number of pages24
JournalSAKYTINĖS IR RAŠTO KULTŪROS SAMPYNOS
Volume55
Issue number1
Publication statusPublished - 2018

Fingerprint

Song
Tape Recording
Cylinder
Northeast
Collectors
Notebook
Folklore
Scotland

Keywords

  • repertoire
  • fieldwork
  • audience
  • folk song
  • autoethnography

Cite this

Willie Mathieson and the Primary Audience for Traditional Song. / McKean, Thomas.

In: SAKYTINĖS IR RAŠTO KULTŪROS SAMPYNOS, Vol. 55, No. 1, 2018, p. 36-59.

Research output: Contribution to journalArticle

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