With or without the camera running: the work of Inuit film‐making

Nancy Wachowich* (Corresponding Author)

*Corresponding author for this work

Research output: Contribution to journalArticlepeer-review

1 Citation (Scopus)
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This article argues for the critical evaluation of indigenous media, art, and aesthetic practices within local trajectories of meaning-making. Drawing on ethnographic research in Arctic Canada with a notable Inuit video and film production company, Igloolik Isuma Productions, I emphasize the value of focusing on locally defined processes of filmic production and on relational bounties accrued outside the camera’s field of vision. Indigenous media-making emerges as a collaborative, adaptive, intercultural, and improvisational practice, one akin to Inuit traditions of hunting, carving, garment-sewing, tool-making, and storytelling, and celebrated for its ability to foster unique environmental relationships, material practices, and perceptual orientations. Exploring the compound and relational workings of indigenous media invites critical reconsideration of the generative potentials it holds for the practitioner-inhabitants of indigenous communities, anthropologists, and mainstream audiences more broadly.
Original languageEnglish
Pages (from-to)105-125
Number of pages21
JournalJournal of the Royal Anthropological Institute
Issue number1
Early online date14 Jan 2020
Publication statusPublished - Mar 2020




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